story house terror fear

story house terror fear

JORGE LUIS BORGES

Borges, cult author, was a passionate reader of the classical world. In poems and stories featuring characters and motives of Greco-Roman antiquity that are naturally integrated into the complex world of meaning borgiano1. For this article I have selected the `story` The House of Asterion (including in El Aleph, 1949) whose mythological reference is the Minotaur and the Labyrinth cretense2. The text interests me as an example of reinterpretation, and in this sense, a revitalization-old mythological story in contemporary literature through intellectual manipulation. The aim of Borges in `The House of Asterion 'is not true and admiringly recall the myth, but it served to express the search for cognitive problems and disturbing staff beyond the literary, which is essentially contemporary fiction and his own work. Through the proposed account will be allowed me to set the world Inquisitor Borges, and, what interests me most for the present occasion, to see how Borges has been able to extract dimensions of the ancient myth, preexisting, are new and personal. With Borges, indeed, the mythological tale aesthetic or recreational literature, pleasure of fables in the manner of Ovid's Metamorphoses, returns to its mythic sources: fabled myth and metaphysics, that is, explaining the world, what we are and what life, what gods are there, what forces, how we interact with others, from an imaginary world of stories and words that have value and symbolic issue. I remember at the moment what Borges said of Tlön 3: 'The metaphysical Tlön not seek the truth, even the likelihood, looking with amazement. They judge that metaphysics is a branch of fantastic literature. 'Literature, then, as a philosophy and philosophy as a game and invention, the only method possible knowledge. `We are all metaphysical writers," said Sartre4 "Because metaphysics is not a sterile debate about abstract notions that are beyond experience, but an effort to cover live inside the human condition in its entirety '.

Asterion held by Borges is nothing but the Minotaur of Crete and the Minotaur mysteries of Ovidian poetic recreation. Asterion is now Borges, Borges harrowingly, creature, or dream you, twice in the mirror, mimetic fiction of his soul, with all its ghosts and personal shortcomings. That is why the story takes the trembling of the intimate and moves us with its truth, confusion of life, why, the labyrinth of solitude. We are not far from the poetic confession. Borges, unable to leave him, at the other, the fictional creature's way of saying his eternal obsessions, human identity, fate, time, paradox, memory, loneliness, death. In `The House of Asterion ', we will see, the fictional narrative and intellectual inquiry, touching the true inner anguish, a fixity own, Borges always inquisitive and astonished at the labyrinth of symbols that is the universe and life .


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Bustos Domecq, a writer ignored

Bioy Casares Borges Bustos Domecq

Dr. Honorio Bustos Domecq was born in the town of Pujato (Santa Fe), in 1893. After primary school interesting, he moved with his family to Chicago in Argentina.

In 1907, the columns of the press in Rosario welcomed the first productions of this humble friend of the muses, perhaps without suspecting their age. Of that time are the compositions: Vanitas, Advances of Progress, The Nation Blue and White, A Ella, Nocturnes.

In 1915 he read to a select audience at the Centro Balear, his Ode to the "Elegy on the death of his father," of Jorge Manrique, a feat that was worth a loud but short-lived notoriety. That same year he published: Citizen!, A work of sustained flight, unfortunately disfigured by some Gallicisms attributable to the youth of the author and the few lights of the time.

Fata Morgana launches in 1919, fine obrilla of circumstances, whose songs and announce the end of the vigorous prose speak more! (1932) and among books and papers (1934). During the intervention Labruna was appointed the first Inspector of teaching, and then advocate for the poor. Far from the blandishments of home, the harsh reality contact gave him experience that is perhaps the highest teaching of his work. His books cite: The Eucharistic Congress: Argentina propaganda organ, The Life and Death of Don Chicho Grande, I know how to read! (Approved by the Inspectorate of Education of the city of Rosario), Santa Fe's contribution to the Army of Independence, Astros new: Azorín, Gabriel Miró, Bontempelli.

His stories police discover a new vein of fruitful Polygraph them want to fight the cold intellectualism that have plunged this kind Sir Conan Doyle, Ottolenghi, etc. Pujato tales as the author affectionately calls them, are not the watermark from a Byzantine locked in the ivory tower is a contemporary voice, attentive to the human heartbeat and fly pen pours the flood of truth.


Jorge Luis Borges said of him: "has no objection to change of loyalties. That is, he is willing to change its essence, if required by fashion ....

It opportunists, selfish, turncoat, liar, braggart, casanova cheap. When a friend falls from grace, despises him. When she does well, is approaching. Is successful. Speaking ill of others is not an example of loyalty, precisely. "

His most important were:

* Six Problems for Don Isidro Parodi
* Chronicles of Bustos Domecq
* New Tales of Bustos Domecq

Sources:
1. http://es.wikipedia.org/wiki/Honorio_Bustos_Domecq
2. http://www.literatura.org/Bioy/Bustos_Domecq.html
3. .***/ http://elbroli writers / bustosdomecq / bustosdomecq.html

Metro police news in July Feinmann Bioy Barbie Andahazi EMECE

Metro police news in July Feinmann Bioy Barbie Andahazi EMECE

I bring a video of developments in these days will find in major bookstores.
Feinmann a new book, One of Asa Larsson (excellent police Scandinavian) The reissue of Veronika Decides to Die by Coelho that comes with the film, the expected re-release the first volume of the magazine Proa (bring on top the number 12 but is reprint of the 1). Good books, good reading.




link: http://www.youtube.com/watch?v=bTFHts6VgnU

The theme is "Si te vas" of Zitarrosa, sung by the great artist Pablo Lozano

Fragments of a Borges book

Tony Gilroy rscribir franchise 'Bourne

The "Book of Sand"
If this morning and this meeting are dreams, each of us has to think he is the dreamer. -
"The other-

At the end of the day, to remember, no person who is not them mismal.
- Other -

Your mass of oppressed and outcasts, "I said no more than an abstraction. Only individuals exist, if anyone there ..
- Other -

- How is your memory?
(...)- Often seem to forget, but still find what they charge.
- Other -

We could not deceive us, making dialogue difficult.
- Other -

(...) What we say is not always like us.
- Ulrica -

(...) Was ours and we lost, if someone or something may have something to be missed.
- Ulrica -

(...) I was impressed by his air of quiet mystery. Smile She smiled easily and seemed to zoom out.
- Ulrica -

The miracle is entitled to imcolocar conditions.
- Ulrica -

It is always a word that is not permitted to men.
- Ulrica -

It does not hurt loneliness: a lot of effort is tolerated to yourself and your hobbies. I notice I'm getting older, is an unequivocal sign that does not interest me or surprise developments, perhaps because I notice that nothing essentially new in them, and they are nothing more than timid variations.
- Congress -

(...) Farewell, in his view, was an emphasis, an insane party misfortune, and she hated the emphasis.
- Congress -

I felt what we feel when someone dies, the grief, and useless, that nothing would have cost had been good.
- There Are More Things -

(...) I accepted such ugliness as incompatible accept these things co-exist only by reason of the universe named.
. - There Are More Things -

I anticipated this failure, but one thing is to provide something else to happen.
- There Are More Things -

The desire is no less culpable than the act.
- The sect of the thirty -

(...) There is a village in the province which is not identical to the other, even in what to believe differently.
- The night of the gifts -

(...) No one can teach anything.
- Undr -

I felt that waiting for someone. There was no lock on the door.
- Utopia of a man who is tired -

But enough about facts. Because nobody cares about the facts. They are mere starting points for the invention and reasoning. In schools we teach the doubt and the art of forgetting. First of all the neglect of the personal and local.
- Utopia of a man who is tired -

No matter read but reread.
- Utopia of a man who is tired -

We could never evade the here and now.
- Utopia of a man who is tired -

(...) The universe, which may well be a cosmic joke.
- Bribery -

The face had been almost anonymous, if they had not rescued the eye ...
"Avelino Arredondo -

He said his book was called the Book of Sand, because neither the book nor the sand have no beginning and no end.
- The Book of Sand -

The number of pages of this book is infinite. None is the first, none the last.
- The Book of Sand -

If space is infinite, we at any point in space. If time is infinite, we at any point in time.
- The Book of Sand -

Source: Maiolandia.com.ar