Pet Sematary screenwriter David Kajganich
David Kajganich: A PURPOSE OF IT AND Pet Sematary
THE WRITER OF TWO ADAPTATIONS
STEPHEN KING Film
SPEAKING OF THE STATUS OF BOTH PROJECTS.
About Pet Sematary
"After delivering my first draft, Paramount faced a regime change at the highest level and put me in contact with a new executive who had creative ideas that could not support."
"They wanted to seek the approval of a younger audience, for it sought to change the main character, Ellie, and make it a teenager, and so on. It was heartbreaking, but it's what happens sometimes. The studio was nice enough to let me break my contrtato and the project has remained dormant until recently. "
About IT
"The big difference to the mini-series, is that here there are two thirds of the available time on TV. I know it sounds serious, but two thirds of the footage does not mean, necessarily, two-thirds of the story."
"I'm looking for as many ways as I can to make some further sequence is redundant to others. To me, this process is very interesting because it has the effect of enhancing the whole."
"But surprises can lead to dramatic narrative development. Some crucial scenes I thought, have been eliminated. And others that seem trivial in the book, ended up being key to the film. I know I'm being vague, but I can not say much More on this point and getting into the specifics, because we have a lot of development on the way. For now, I'll just say we're jumping the fence and that we mean business. "
"After delivering my first draft, Paramount faced a regime change at the highest level and put me in contact with a new executive who had creative ideas that could not support."
"They wanted to seek the approval of a younger audience, for it sought to change the main character, Ellie, and make it a teenager, and so on. It was heartbreaking, but it's what happens sometimes. The studio was nice enough to let me break my contrtato and the project has remained dormant until recently. "
About IT
"The big difference to the mini-series, is that here there are two thirds of the available time on TV. I know it sounds serious, but two thirds of the footage does not mean, necessarily, two-thirds of the story."
"I'm looking for as many ways as I can to make some further sequence is redundant to others. To me, this process is very interesting because it has the effect of enhancing the whole."
"But surprises can lead to dramatic narrative development. Some crucial scenes I thought, have been eliminated. And others that seem trivial in the book, ended up being key to the film. I know I'm being vague, but I can not say much More on this point and getting into the specifics, because we have a lot of development on the way. For now, I'll just say we're jumping the fence and that we mean business. "
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